Upped for CG Pinesworthy and BryFlyBack in the techno vein, I have a fantastic microhouse release from '08. Although it seems to have been looked over by the masses, I suspect the aesthetic has something to do with this; microhouse as a genre can certainly be described by the word "reserved", a descriptor which doesn't bring strong emotional reactions. And it's true, Pronsato's music plods along sparingly, and cool sounds seem to be wasted by appearing only once before another one comes in to push them out. But perhaps the appeal is strangely part of this. Minimal techno is armchair music, and following the trail Pronsato leads us on is certainly enjoyable because of how winding it is, and how much attention is required to notice that it's a trail at all.
There is an inevitable connection to Ricardo Villalobos, someone whom I am not alone in considering the godsend of microhouse, and techno in general. The interesting thing, however, is that this album to me sounds like Villalobo's Thé au Harem d'Archimède, probably one of his weaker efforts. If Bruno Pronsato made an album like Fizheuer Zieheuer, it would most likely fail, because Villalobos is better at slow, monolithic works, while Pronsato can keep things fresh with quick changes.
I wish this whole Villalobos meandering wasn't necessary, but most of the negative criticism I've seen towards this album has been that it's derivative. I would strongly counter this, because in such a stripped down genre, Pronsato is doing a surprising number of innovative things, and certainly owes more to other producers than Villalobos.
PS Perfect driving music
http://www.mediafire.com/?0h6gd8p09cgvf5v
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