This album? Consider it a parallel to Actress's Splazsh, only without the latter's eclecticism; a focused, single-minded album pushing modern bass music into bafflingly new territories. It sounds like London being buried. I dunno, just listen (with headphones or on loud).
From FACT Mag's review:
It’s as if Stott has awoken from some long and laboured sleep, emerging haggard and caked in petrified dirt: everything here sounds broken, sawed-off, obfuscated, even Hellish.